"What is essential in the work of art is that it should rise far above the realm of personal life and speak from the spirit and heart..." C.G.Jung

Saturday, February 6, 2010

Through the Gate

The other day I received an e-mail from Don, a college classmate of mine who had just finished reading my book on Thin Places. He had some good comments including the mention that his wife had obtained six additional copies of the book to give to friends. Wow! Thanks. But it was his ending p.s. which really caught my attention. I have always admired Don's special talents. Even our professors saw that specialness, and so often gave him a better grade on communicating certain projects than the rest of us. Maybe we still got better grades than we deserved. But my friend Don always spoke with that certain authority of genuineness that is in itself a source of learning for the rest of us. He still does.

At the end of his comments, he noted two pieces of my writing in the book which really jumped out at him. One was a summary I had made of a poem I had written and included in the book describing my Thin Place experience at Kingsmill, Virginia, a stone's throw from where this Country was born. The other piece was an essay I included at the end of the book entitled "Wellsprings."

His thoughts have become an outline for this and the next blog post here. Below is the poem, then the summary, both from my book, "Thin Places and Five Clues in Their Architecture." My next post here will be "Wellsprings." Thanks Don.
Stale leaves crackled
against the rusty old gate
hung heavy on thick hinges
spiked deep in stubborn piers
near Jamestown, Virginia
hushed in off-season quiet
under a November dawn.

Its iron bars still gate tough,
with rods and hard welds
fixed like an opaque now, while
sensual spaces between bars
pave transparent avenues,
where dreams and time flirt
with the mooring river beyond,
among whispering ruffles, which
tickle tree roots along the shore.

And there, mingled in the mist
guarding its river secrets,
stands the veiled outline of a sailor
silhouetted below the yellow sky
staring across the river slick
at a small ship anchored in the fog
freighted with a handful of seeds,
navigated by gauges of passion,
fueled by winds yet forgotten.

He then leaned to the craft,
hollowed hands at his mouth
and megaphoned a discovery
out to tuned ears on board,
while I stood there mute, peering
through the gate's cold grid,
stretching against today's bind.

"Bring the others!" He shouted
joyfully in English tone with
unquestionable authority,
lofted out at the shadowing ship,
berthed just off shore, and
a few hundred years away.

"And the tools,"
he hollered again, loudly,
bellowing - "This is the place!”

And so it was, soon to be,
when a grandson, now long dead
might have built this 2-way gate,
to divide and separate,
yet open a glimpse of history,
this place to birth a destiny
right here -- through the gate.

We are all a part of a gate to potential Thin Places for others, aren't we?  Thus, we encourage others to look not "at" us for all they will see is rust, broken pieces, bent hinges and other examples of the opaque now.  We hope instead that we may inspire others to see the spaces between the bars, the moments when a light shines through us, to illuminate the transparency of the Cosmic Truth, and His fingerprints all around and through us.

Copyright (C) C. Page Highfill, all rights reserved 

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